Les pratiques contemporaines de l'écriture textuelle pour la scène

Publié le: 25 février 2017



Cathy Lane is a composer, sound artist and academic. Her work uses spoken word, field recordings and archive material to explore aspects of our listening relationship with each other and the multiverse. She is currently focused on how sound relates to the past, our histories, environment and our collective and individual memories from a feminist perspective.

Books include Playing with Words: The Spoken Word in Artistic Practice (RGAP, 2008) and, with Angus Carlyle, In the Field (Uniformbooks, 2013), interviews with eighteen contemporary sound artists who use field recording in their work and On Listening (2013) a collection of commissioned essays about some of the ways in which listening is used across many disciplines. Her CD The Hebrides Suite was released by Gruenrekorder in 2013.

Cathy is Professor of Sound Arts and co-director of CRiSAP (Creative Research in

Sound Arts Practice), University of the Arts London.


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